| 기사명 |
[논문] 한국 개신교 교회건축의 평면형태 변천 연구 / ‘남녀유별’ 관념과 회중석의 남녀 위치를 중심으로 / A Study on the Changes of the Plan Type of Protestant Church Architecture in Korea |
| 저자명 |
이희준 ; 윤인석 |
| 발행사 |
한국건축역사학회 |
| 수록사항 |
건축역사연구(한국건축역사학회지) , v.14 n.3(통권 43호)(2005-09) |
| 페이지 |
시작페이지(129) 총페이지(20) |
| ISSN |
15981142 |
| 주제분류 |
역사 |
| 주제어 |
개신교 교회건축 ; 평면형태 ; 시각 차단물 ; 남녀유별(男女有別) ; 우남좌여(右男左女)//Korean protestant church architecture ; plan type ; visual interception ; distinction between the sexes ; right-men·left-women |
| 요약1 |
본 연구에서는 한국 개신교 교회건축 특히, 평면형태의 변천 과정을 ‘남녀유별’ 관념 변화의 관점에서 규명하고자 하였다. 그 이유는, 평면형태의 변천 과정에는 시대적 배경, 사회?경제적인 여건, 건축기술 등 다양한 원인들이 복합적으로 작용했겠지만, ‘유교적 관념’은 한국인에게서 지속적으로 나타나는 ‘한국적 문화’이며, 가장 핵심적 유전인자로서 한국의 개신교 교회건축은 이러한 유교적 문화 형식의 틀 안에서 표현되고 변화되었다고 판단되기 때문이다. 그리고, 이러한 관점에서 평면형태의 변천과정을 5단계로 분류해 보았으며, 남녀의 위치관계는 개신교의 신학적인 관점에서 해답을 찾고자 하였다.
또한, 본 연구에서는 기존연구들에서는 다루지 않았으나 변천과정을 살펴볼 수 있고 건축사적으로 중요하다고 판단되는 교회건축을 발굴, 조사하여 연구대상에 포함시켰으며, 필요한 경우 기존에 발표된 관련논문들과 각종 문헌?사진자료 등에서도 참고하였다. |
| 요약2 |
The plan type of Korean protestant church architecture underwent changes as following five stages according to the changes of the distinction between the sexes.
First stage - At the beginning of missionary work in Korea, Koreans generally worshiped in missionary houses which were traditional Korean styles. The plan type of these houses was a simple "-" figure. At that time, men and women worshiped separately because of the idea of the distinction between the sexes. They either worshiped in different places at the same time or in the same place at the different time.
Second stage - At this stage, men and women started to worship together in the same place. At the beginning of this stage, men sat in the front of the chapel on a rostrum, and women sat behind the men. The plan type of the chapel was a simple "-" or a rectangular figure. Later, they sat separately on the right and left side. There are the visual interceptions which were set up between them. As the number of church members increased rapidly, a new type of church architecture appeared. It was a ‘ㄱ’ figure. At that time the entrances were separated by the sexes.
Third stage - At this stage, the visual interceptions disappeared as the idea of the distinction between the sexes became weak. As new churches had been constructed by the plan type of rectangular figure, the visual interceptions weren't set up anymore.
Fourth stage - At this stage, the separated entrances were unified as one. But the arrangement of their seats didn't change because of the old idea of the distinction between the sexes.
Fifth stage - In the final stage, the plan type of the church architecture was not determined by the idea of the distinction between the sexes but social, economical, technological facts and the influence of the foreign architecture. At this stage, new and various kinds of the plan type appeared such as the fan, round, squared, or oval figure as well as the rectangular figure. Men and women were not classified anymore. They started to sit and worship together in the same place.
Also, when men and women sat separately from side to side because of the idea of the distinction between the sexes, men sat on the right and women sat on the left side of rostrum. It didn't applied Confucian ideas but the idea of protestant church; protestant churches have the idea that the right side is more important but it does not in Confucianism. |
| 소장처 |
한국건축역사학회 |