| 논문명 |
차경이론을 통해 본 랜드스케이프 건축과 전통건축에 나타난 자연도입기법 / The Nature-Introducing Techniques in Landscape and Traditional Architecture through Borrowed Landscape |
| 저자명 |
이영미 ; 천득염 |
| 발행사 |
한국실내디자인학회 |
| 수록사항 |
한국실내디자인학회 논문집, v.16 n.2(통권 61호) (2007-04) |
| 페이지 |
시작페이지(3) 총페이지(10) |
| ISSN |
12297992 |
| 주제분류 |
환경및설비 / 역사 / 이론 |
| 주제어 |
전통건축 ; 랜드스케이프 건축 ; 자연도입방법 ; 차경 ; 내부의 풍경화//Traditional Architecture ; Landscape Architecture ; The ways of Introducing Nature ; Borrowed Landscape ; Interior Landscape |
| 요약1 |
본 연구는 자연경관을 도입하는 기법의 비교연구를 통해 동?서양의 공통점과 차이점을 살펴보고자 한다. 특히 본 연구에서는 계성의 『원야(園冶)』에서 제시하고 있는 자연도입 이론인 ‘차경 이론’에서 도출한 자연도입기법이 랜드스케이프 건축과 한국 전통건축에서 어떻게 구현되는지 비교함으로써 전통건축에 나타난 자연도입기법의 현대적 의미를 재해석하고자 한다. |
| 요약2 |
This study examines the nature-introducing methods between Korea Traditional Architecture and Landscape Architecture dividing them into three; semantic methods, constructive methods and visual methods on the basis of architectural features deduced from Borrowed Landscape theory which is a typical nature-introducing theory in the orient. Through the findings of this study, we can explain the nature-introducing methods of Landscape Architecture by way of the method of the Borrowed Landscape which was frequently used by our ancestors for a long time to introduce nature in the course of building structures, and we can find several similarities between the Architecture of two fields of both different times and areas. It can be said to be meaningful for us to be able to confirm the contemporary value of Traditional nature-introducing method through the Borrowed Landscape theory.
However, we can find that there is a difference between Traditional Architecture and Landscape Architecture in looking at nature. If the Landscape Architecture which emerged recently as a result of recognizing the importance of nature, maintains the nature view of regarding nature and architecture as equal, the nature view of Traditional Architecture is essentially different in that it is humble and aims to return to nature. The most outstanding feature of nature-introducing way in Traditional Architecture obviously implies something different from the various architectural trends of 'nature-human', or 'nature-architecture' which appeared breaking the relation of dichotomy. It is the thinking that 'nature and human are continual', and 'human is part of nature'; that is, 'the humbleness to nature'. |
| 소장처 |
한국실내디자인학회 |