| 논문명 |
다니엘 리베스킨트의 박물관 전시공간 구축방식에 관한 연구 / A Study on the Method of Constructing Exhibition Spaces in Museums by Daniel Libeskind / 05. 제3분과 역사·의장 및 건축론 |
| 저자명 |
한지원 |
| 발행사 |
대한건축학회 |
| 수록사항 |
대한건축학회 학술발표대회 논문집 (2007-10) |
| 페이지 |
시작페이지(505) 총페이지(4) |
| 주제분류 |
역사 / 이론 |
| 주제어 |
다니엘 리베스킨트 ; 박물관 ; 선형 전시공간 ; 비선형 전시공간 ; 복합형 전시공간 ; 전이공간 ; 선형틀 ; 결정형틀 ; 혼합형틀 ; Daniel libeskind ; museum ; linear ; nonlinear ; compositive exhibition space ; transition space ; linear ; crystal ; mixed mass |
| 요약1 |
본 연구는 구체적인 내부설계가 이루어지지 않은 Fiera Milano의 디자인 박물관을 제외한 10개의 박물관 작품을 선정하여 틀 형태와 관람행위의 연속성 유무에 따라 전시공간을 분류하고 각각의 공간구축방식을 분석하여, 그의 박물관 전시공간의 구축흐름을 알고자 한다. |
| 요약2 |
In the Jewish Museum Berlin which is his first selected work in competition, Daniel Libeskind built a continuous exhibition space with a tortuous linear mass. He has designed eleven museums out of total thirty-two works; ten museums except the one in Fiera Milano project which has not been made any firm plans have shown a process of linear, nonlinear, and compositive exhibition spaces according to the continuance of exhibition experience, the shape of mass, and transiton space's relations with exhibition space. The linear exhibition space has a linear movement in a linear mass; the nonlinear one has a nonlinear movement in a gathered linear mass or a crystal mass; and the compositive one has a linear movement in a crystal mass. At the same time, the linear exhibition space has a transition space which is independent or dependent from the exhibition space; the nonlinear one has a synthetic transition space; and the compositive one has a independent transition space. Accordingly, he has built the mass of musuems from a linear to a crystal or mixed one; but pursued that the exhibition space can make spectators have a continuous exhibition experience. |
| 소장처 |
대한건축학회 |