| 논문명 |
제나키스의 음악적 사고를 기초로 한 필립스관의 형태에 관한 연구 / A Study on the Form of his Philips-pavilion based on Xenakis's the Musical Thought |
| 저자명 |
이홍규(Lee Hong-Kyu) ; 박진호(Park Jin-Ho) ; 동정근(Dong Jung-Keun) |
| 발행사 |
대한건축학회 |
| 수록사항 |
대한건축학회논문집 계획계, v.25 n.03 (2009-03) |
| 페이지 |
시작페이지(151) 총페이지(8) |
| ISSN |
12269093 |
| 주제분류 |
이론 |
| 주제어 |
제나키스 ; 음향덩어리 ; 글리산도 ; 필립스관 ; 쌍곡포물면//I. Xenakis ; Sound Mass ; Glissando ; Philips Pavilion ; Hyperbolic Paraboloid |
| 요약2 |
Iannis Xenakis(1922-2001), composer, architect, engineer and media artist, designed together with Le Corbusier the Philips-pavilion for the 1958 Brussels World Fair. This pavilion is an example of combined music and architectural space. This study aims to analyse working simultaneously in architecture and music and applying the same structures in two different fields. This study examines Philips-pavilion and Metastasis. Results of this study are as follows. 1.Xenakis's musical character is glissando. 2. Glissando has the lines which are skew directing lines and directing curves. 3 Xenakis was familiar with ruled surfaces, with hyperbolic paraboloid and conoid forms. What is interesting is not only the hyperbolic paraboloid form itself in its continuity and complexity but also the way Xenakis implemented this same structure in music and architecture. What is specific to Xenakis is the way he used these forms in different fields, transferred from one field to another, from music to architecture. |
| 소장처 |
대한건축학회 |