| 요약2 |
Undergone a passive modernization, Seoul presently puts her heart into seeking after 'urban identity' in the global discourse. Most projects undertaken in the name of historical restoration, are, however, apt to create 'airy stage effect' decorated by false history because they usually destroy the existing neighbors again to revive simply the past images. The study attempts to criticize the City Wall restoration which only imitates the past figures of the Wall against globalism's homogenization, to represent the chronological gap between tradition and the modern age into architecture, and to explore authentic ways of manifestation of the sense of place to propose architectural strategy. |