| 논문명 |
데이비드 치퍼필드의 건축에서 드러난 수직과 수평의 의미 / Meaning of the Verticality and the Horizontality in David Chipperfield’s Architecture |
| 저자명 |
임성훈(Lim, Sung-Hun) ; 송형규(Song, Hyeong-Gyu) ; 박창배(Park, Chang-Bae) |
| 발행사 |
대한건축학회 |
| 수록사항 |
대한건축학회논문집 계획계, v.29 n.2 (2013-02) |
| 페이지 |
시작페이지(139) 총페이지(8) |
| ISSN |
12269093 |
| 주제분류 |
이론 |
| 주제어 |
수직 ; 수평 ; 미니멀리즘 ; 데이비드 치퍼필드//Verticality ; Horizontality ; Minimalism ; David Chipperfield |
| 요약2 |
Chipperfield's architecture seems to be typical minimalism architecture. Simple architecture-oriented attitude and design method also seems to be minimal. However, his architecture is not simple, it is also not minimal. The architecture is rather light than simple, rather expressive than minimal. His proposals seem to be naive, but it is full of paradox. Chipperfield adjustment of the vertical and horizontal flip through the building, creates a mask. The mask, a blank symbol, is a kind of place many other symbols as a place to sit down to. So, regional symbols, even different cultural characteristics, could be captured with the mask. That is the way Chipperfield’s architecture makes unique. |
| 소장처 |
대한건축학회 |