논문명 |
바우하우스 창조성-예술 교육의 낭만적 정신성에 관한 연구 / 바이마르 바우하우스에서 나타난 오리엔탈리즘, 보편주의, 프뢰벨주의의 공통된 의미를 중심으로 / A Study on a Romantic Spirituality of Creativity-Art Education in Early Bauhaus - Focused on a Common Meaning among Orientalism, Mystic Universalism and Froebelianism in Weimar Bauhaus - |
저자명 |
오장환 |
발행사 |
한국실내디자인학회 |
수록사항 |
한국실내디자인학회 논문집, v.22 n.3(통권 98호) (2013-06) |
페이지 |
시작페이지(135) 총페이지(10) |
ISSN |
12297992 |
주제분류 |
계획및설계 |
주제어 |
낭만적 신비주의 ; 오리엔탈리즘 ; 프뢰벨 ; 범재신론 ; 휴머니티 ; 자유-의지 ; 창조성-예술//Romantic Mysticism ; Orientalism ; Froebel ; Panentheism ; Humanity ; Free-Will ; Creativity-Art |
요약2 |
This study is to focus on an innate creative 'spirituality' of Weimar Bauhaus’ pedagogical thoughts and their backgrounds. In particular, this notes three elements of Universal mysticism, Orientalism in early Bauhaus including Expressionism, and Froebelian Education as the more practical among the romantic legacies as a source of modernism. Arguably, through these researches, just as the expressionists represent the crystallization of glass as the spirit, the important that should be noticed is explained as the fact that a panentheistic Idea of matter and spirit as a whole had been spreading to be recognized consciously or unconsciously; in other words, this awakening as dualistic monism might be one of the greatest peculiarities of modernity, and, as the fact that the universal thought and principle of ‘panentheism’ emphasizing a ‘divine’ artistic volition which is immanent in the individual is implanted first of all fundamentally by Froebelian educational influences. |
소장처 |
한국실내디자인학회 |