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논문명 안도 다다오의 뮤지엄건축 공간구성 특성 연구 / A Study on the Characteristics of Spatial Organization of Museum Architecture Designed by Tadao Ando
저자명 서민우(Suh, Min Woo)
발행사 한국문화공간건축학회
수록사항 한국문화공간건축학회 논문집, 통권 제49호 (2015-02)
페이지 시작페이지(39) 총페이지(8)
ISSN 1738-818X
주제분류 계획및설계 / 도시
주제어 안도 다다오의 뮤지엄건축 ; 공간구성 특성//Museum Architecture Designed by Tadao Ando ; Characteristics of Spatial Organization
요약2 'Architect of naked architecture' Tadao Ando, who adopts nature to architecture and creates beautiful architectural spaces with exposed concrete, was born in Osaka, Japan in 1941 and became spotlighted from all over the world as a self-taught architect without having formal training in the field. After exploring famous buildings around the world, including Japan from 1962 through 1968, he founded his architectural firm in 1969 and has designed essential and practical architecture. He is one of the representative architects of the third generation, who was awarded the Pritzker Architecture Prize, which is called the Nobel Prize in Architecture in 1995 with architecture in communion with nature, like Naoshima Contemporary Art Museum (1988, 1992 and 1995). Especially, Tadao Ando was recognized as one of the world's famous architects because he has worked on a creative task, combining the concepts of the traditional Japanese architecture with the styles of Western modernist architecture, so that the natural environment and regional characteristics could melt in his architecture. Therefore, his architecture is very similar to minimalism in the Western countries, but in fact, it is a work starting from the tradition of Oriental art, which directly inherited, in particular, the traditional Japanese architecture, and even if it starts from the past traditions and culture, it is a work of creation not simple restoration or reproduction. In addition, as for his architectural language, water, wind, light, sound and nature are introduced inside the buildings, and in particular, 'water' is one of the important elements of nature contained in his architecture. Also, he regards exposed concrete as the material which best expresses the traditional Japanese architecture, regarding it as a material suitable for the creation of beautiful architectural spaces along with nature, to the extent that he can be called 'an architect of naked architecture' who reveals the material itself. Thus, this study has a purpose and significance that it looks into the characteristics of Tadao Ando's construction of architectural spaces of museums with a comprehensive analysis of his representative examples of museums. Hopefully, it will be a useful, informative material necessary for the design of museum architecture of a new concept.
소장처 한국문화공간건축학회
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