| 요약2 |
This study examines the concept of Social Condenser in Russian Constructivism based on the idea of Ginzburg, the core leader, and Leonidov, an innovative architect. The essential idea of the works of Narcompin, the new social type of club, Palace of culture, and Magnitogorsk, presented as a social condenser, is that these buildings are 'programs' as a cohesive tool for rebuilding society and collective activities. Given the social condenser as a goal of constructing architecture and realizing it through Narcompin, the core of condenser is to transform 'byt' of individual subject into 'new byt' of collective subject through community group life. It is a collective reorganization of rest, culture, education and residence programs such as cafeteria, laundry, nursery, rest room, reading room, and kiosk for 'new byt'. Leonidov's social condenser, a student and strong collaborator to Ginzburg, was organized into more diverse and innovative programs than Ginzburg. Controls the movement of the public by using structurally repetitive networks or by placing programs independently on a large site such as an expansive park, but it is technically possible to support the interaction of each program user and the program assigned to each area separated by a grid and strip. By creating successive events, each region appears to be closed but is open and continuous The boundary, in which interaction between various programs occurs, as shown in the project of Place of cuture or Magnitogorsk City Plan, is open one that generates spontaneous events by its user. It is through this structured boundary that group of buildings or city filled with condensed programs operates as social condenser.. And the whole building or city becomes a social condenser. Therefore, the key to creating the construction mechanism as a social condenser, which is the essential goal of building construction, is the socially cohesive program and its combination and organization. |